25 Choice Cuts, Day One

"There used to be pride in the album cut ... " - Chuck Creekmur CEO, of Allhiphop.com

I've been holding on this post for the longest. I thought I better let it go before someone else does it better. Here are 25 of the greatest hip hop album cuts, some are parts of classic efforts, others are forever trapped among the duds of a wack release.

I'll be updating this list airday this week.

20. "Story Of My Life" The Marxmen (M.O.P.) Marxmen Cinema
The aggressive energy of the Mash Out Posse is contagious. Not even the R&B chick who sings the hook on this guitar-driven track, "Tanya" is immune. By the end of the number she's cursing along with the duo and nearly takes over this mixtape track. M.O.P. has perserved in an industry that doesn't seem to have a place for them and that's their story.



21. "The Doo-Wop" LL Cool J Bigger and Deffer
What was it like to be LL Cool J back in 1987? Mr. Smith breaks down the lifestyle of a rap star atop a Platters' loop and Cut Creator's scratches. The song takes us through a day in the life of the young, black and fabulous: wearing Devon cologne, eating cornflakes, wham-bamming freaks with minks and making more money than your Dad. The song ends with a unexpected moment of humility as Cool James admits it was all a dream.

22. "I'm Only Out for One Thang" Ice Cube & Flavor Flav Amerikkka's Most Wanted
Perhaps the first clue to the general public on how wild Flavor Flav really was. Turned loose on a Bomb Squad track with South Central's illest, Flav sounds like 90s era Donald Goines without the subtlety. This shade of Flav closed the first side of this record and confirmed that Ice Cube's debut as a rap landmark.


23. "Kick in the Door" The Notorious B.I.G. Life After Death

The late Christopher Wallace wore suits and rhymed over R&B loops, but his street cred was never in question. Songs like this one are the reason why. Biggie eclipses the rappers that inspired him with ferocious wordplay and DJ Premier's prodigious production. The music starts after the skit, around 1:14.



24. "Word From Our Sponsor" BDP Criminal Minded

This track follows "Wadadang," one of the first hip-hop songs to show a strong jamaican influence. That songs' patios and Krs-ONE's attempt at singing were a bit of jolt, but after a few seconds of "Word From Our Sponsor," you were reminded that you were listening to something special. KRS takes a trite phrase from the early days of television and makes it an anthem for his life and mission.

25. "On the DL" The Pharcyde

The title of this song reminds us all how the media destroyed a perfectly good catch phrase when they gave it a slightly different meaning. We all have our secrets, but the Pharcyde's confessions are just unlikely and unusual as their debut, "Bizarre Ride II the Pharcyde." J. Swift's jazzy production is perfect landscape for the group's secret shames and dark desires.

Thanks to NAStalgicHipHop, OriginalHipHopMusic, onlyrealhiphop12, HungaRealG, sodr2

Notorious is the Illest

Finally got around to seeing "Notorious," last night. It's a solid film. The legacy of Christopher Wallace hasn't always been treated with reverence it deserves (Duets and Born Again) so a project like this "Notorious," had little room for error. Fortunately, the errors are little in this well-constructed and provocative biographical film directed by George Tillman (Men of Honor, Soul Food). 

The majority of the cast, especially the actor who plays Biggie, Jamal "Gravy" Woolard, succeeds in their portrayal of famous personalities and making you care about what happens to them, even though you know how it all ends.  Angela Bassett inhabits the spirit of Voletta Wallace, bringing the dignity and grace to the role that you would expect. Anthony Mackie and Derek Luke are horribly miscast as Tupac Shakur and Sean "Puff Daddy" Combs, however. 

Missteps aside, this is a good film that's worth a trip to the barbershop or movie theater near you.  

The B.I.G. One That Got Away

"Nobody Is Invincible" scene from "Notorious"

As the release of "Notorious," nears I've been reflecting upon that era. I had a chance to interview Biggie when he visited our home base, the Phono Booth, in 1994. Unfortunately, I was sick and couldn't will myself to come to the record store. My partner, Dre, shot some footage of the rapper as he signed some autographs. I attempted to sell that tape to Nick Broomfield for his "Biggie and Tupac," documentary, but he passed.

When Biggie came to Richmond again, (Dec. 26, 1994) I missed out on another chance to to record him. The rapper was performing at a local nightclub (The Flood Zone) and there was a guy from Bad Boy running through the audience putting his hand over video cameras and making threats. I knew I couldn't get way with filming the show as my camera was about three times the size of what most people were using. Somebody else was able to shoot the whole show, however and I've been trying to get that tape for minute. 

I do have clear memories of that night. Keith Murray opened with an energetic performance which climaxed with an unfortunate decision to stage dive. The crowd of Richmonders parted and Murray landed hard and came up swinging. He didn't miss a line of "The Most Beautifullest Thing," but he was relieved of his pager, which was an expensive communications device back then. 

Biggie came out with Puff Daddy and members of the Junior Mafia. The rotund rapper's performance was understated, which complimented Puff's dancing and continuous ad-libs. Busta Rhymes came out for the "Flava In Ya Ear" remix, which nearly tore the packed club in half. 

Later on during the show, someone from the crowd climbed onstage and made a few steps in Big Poppa's direction, and was thrown off the side of the stage by a member of Big's crew.  He might be the only one has bad memories from that show. 

A Notoriously B.I.G. Movie

Newsweak published some shoddy articles on hip hop back in the day, as did many mainstream publications, and they've had to work hard to earn my trust. I stumbled across the first review I've seen of "Notorious,' the bio pic on the late Notorious B.I.G, at the doctor's office and since I had already perused last month's Family Circle, I dove in.

The write-up, written by veteran journalist Allison Samuels, is generally positive, which was a relief as I have been bracing myself for an exploitative take on the last years of hip-hop's golden era. Samuels didn't see it that way: "NOTORIOUS... managed to stun, unsettle and move me. It's been 11 years since the still-unsolved murder of the hip-hop icon, and the film does a wonderful job of revisiting that dangerous yet creatively rich time in music history. For a hip-hop fiend like me, it's a bittersweet journey to the days when the Cristal was overflowing, the bling was blinding and the performers burned brightly — but briefly."

You can read the whole thing here.